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As police in India are prone to do, they promptly ignore the tape, do not even call it in as evidence and dig up the backyard of the house looking for a body. While Roshni does leave him a message that she is leaving him - Vikram reports the matter to the police and informs them of a videotaped message from her. Point 7: This is how a murder investigation should not be done. And yet when she comes out, she seems fine, bit weak but otherwise fine. Point 6: A woman trapped in a room is seen surviving for weeks without any proper light, air or water or food. Of course, if he had the inverter/generator, the new girlfriend would not be able scream all the time. Point 5: Vikram can afford a huge house, an expensive car and even a servant, but the house does not have an inverter and power cuts are a constant feature of day and night. A bit of subtlety would have been nice here to understate the importance of that mirror. But even then not every conversation, action, even sex need to happen in front of it. Which in this case happens to be a two-way mirror and we know why it's crucial to the plot. Point 4: People here are obsessed with the mirror.
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Mind you, Vikram is a rookie photographer and Roshni, an architect, is out of job. New to the city, Vikram and Roshni find a sprawling bungalow with garden and swimming pool to live in in the outskirts of Mumbai. One has to burn one's pocket to get a decent place to live in the city. Point 3: We all know that property rates are scorching in Mumbai. This, assuming rapes, murders and abductions never happen to women on celluloid. When the drunk stranger fails to give proper directions to his house, Nisha decides to let him sleep over at her flat, in one fell swoop ignoring all advice mother had given her about letting strangers into your house.
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She readily agrees to drop him to his place since he is in an inebriated state. Vikram’s ex-girlfriend, Roshni’s (Aditi) sudden disappearance makes him the prime suspect in the case, with cops tracing the ‘body of evidence’.Point 2: Sara Loren plays a waitress in a swanky restaurant in Mumbai who checks out drunk customers (in this case, Hooda). More often, the bathroom scenes steams up the suspense and waters it down just as quickly.
Murder 3 movie part 1 windows#
The vital signs are clichés, like windows clattering, strange vibrations, and flickering lights. Nisha, the damsel-in-daze, is flustered by Vikram’s cryptic conversations and supernatural sights and sounds in the house. He’s passionate by night and philosophical by day, brooding and bedding with intensity. Vikram (Randeep) a hotshot wildlife photographer (shoots ‘wild’-live women too) woes and seduces a waitress Nisha, (Sara) who moves into his huge, haunting home. So there, the ‘Murder’ franchise is back - to kill love the third time over. With bare bodies caught between hot-beds and cold coffins. Love bloodied with lust and lingerie, sin and satin. Exposing the obsessive in the romantic the fear in fantasy. And if it’s a Bhatt enterprise – Death it is! Swifter and slicker! Devoid of remorse, regret or redemption. Movie Review: Love, always, is a question of life and death. He’s quick to move his new love into his eerie home. Story: A wildlife photographer’s girl mysteriously goes missing.